Depiction of Latinos in 20th Century Film Essay -- Latino Portrayal Fi

Depiction of Latinos in twentieth Century FilmGraphs Not Included Over the course of this noncurrent century, the depictions of assimilated Latino characters has improved a great deal. Early portrayals of Latino acculturation generally proved to be a montage of unrealistic caricatures which seemed to postulate the filmmakers creativity more so than true representations. This formed the manner in which the American people at large viewed not and Latino characters attempting to assimilate, but also those who were not. As Cine-Aztlan puts it, film manipulates the human psychology, sociology, religion, and morality of the people, in a word the ideological super-structure of modern capitalist society (pg.275, Chicanos and Film). As the years went by however, mainly be character Latinos started gaining power in the film attention and depicting (as opposed to creating) Latino characters, the images of Latinos who were adapting (either by choice or by societal force) to the life style and values of the United States, grew more and more voice of what was actually taking place outside of the film studios. Today, most portrayals of assimilated Latinos atomic number 18 fairly accurate. The forces to which their modification is portrayed be not so such(prenominal) representative of middle-class White America however, but rather that of urban Hip-Hop culture. The Four Horsemen of the Apocalypse (Rex Ingram. 1921) provides us with an inaccurate portrayal of an assimilated Latino character. First and foremost, it is important to note that Julio Desnoyers (the Latino character in question) is vie by Rudolph Valentino, a non-Latino. This in itself makes him seem un-Latino to the Hispanic audience. Also, Julio represented the prototypic Latin Lover during t... ...e growing power of Latinos in the film industry. Latino producers such as Joseph Vasquez have made many films (such as Hangin? with the Homeboys and Manhattan Merengue) which bespeak Latinos in a tr uer light. Also, since some of today?s hottest movie stars are Latino, big time producers cannot ignore the influence which they bring to the studio. Leguizamo, Antoni Banderas, and Jeniffer Lopez are just three examples of the growing number of latins whose appeal and mien in the film industry can help the overall cause of Latino representation, whether it be assimilated depictions or wholly cultural ones. It is important to fuck that American society recognize that there are indeed differences among U.S. Latins and Latins in their respective countries. In order to do this both must be portrayed in popular film. GRAPH