Death of a Salesman Essay -- Arthur Miller Exposes Willy Loman

Death of a Sales composition written by Arthur Miller in 1948 attempts to give the audience an queer glimpse into the mind of a Willy Loman, a mercurial 60-year-old salesman, who through his intention to be worth something, finds himself struggling to endure the competitive capitalist valet de chambre in which he is engulfed. Arthur Miller uses various theatrical techniques to gradually gaucherie the protagonist beat one layer at a time, distributively layer revealing an otherwise truth about his distorted past. By doing this, Miller succeeds in finally exposing a reasonable justification for Willys current state of mind. These techniques are essential to the bunk, as it is only through this development that Willy can realistically be driven to motives of suicide.The very jump section of the first scene, already defines the basis of Willys character for the recumb of the play. The stage directions on page 8 identify him as be an exhausted aging man, whose work seems to be wearing him down. lets his burden down (Miller, 8). Although this makes Willy appear uninterest, he soon contrasts this characteristic when he shows an optimistic endeavor towards his own failures. Ill start out in the morning. Maybe Ill feel better in the morning. (Miller, 9) Another aspect of Willy that makes him more interesting to the audience is his already visible complexity of layers I have such thoughts, I have such strange thoughts. (Miller, 9) This of course leads the audience on to wondering what exactly is taking place in a mans head to make him say such a thing, evoking a mild fascination in Willys character. Another character that is authentic almost immediately within the first two pages of the play is Linda. over again the stage directions on page 8 introdu... ...me period without using bionic memorable speech. This conveyance of realism to the audience is vital for Willys motives to seem plausible, and for Willy to be believed in as a character. On the other h and however, Death of a Salesman offers the audience another aspect of the play in which the inner mind of a character is symbolically represented in an expressionistic way on stage. Arthur Miller however succeeds in combining theses seemingly contradictory techniques, by conveying a whiz of realism in the way the protagonists mind is portrayed, creates what sets it diversion from anything alike it.Work CitedMiller, Arthur. Death of a Salesman. U.K. Penguin, 2013.Works ConsultedBloom, Harold. Arthur Miller. New York Chelsea, 2008.Griffin, Alice. taste Arthur Miller. Columbia University of South Carolina Press, 1996.