The Emulation of Art ; Life

In all walks of everyday life, lessons and experiences are collected in hopes to subprogram them in future scenarios. Many writers without history have verbalize they have used these occurrences in their work. At various point in life situations arise in which decisions must be made and erstwhile the choice is being carried out, there comes a point when matchless cannot go back and change course. This inability to revert ones bridle-path is called the Point of No Return. In other instances the use of geographics may not provided be viewed literally just also coif as a metaphor.There are also periods when closing off has an effect on the behavior of an individual. Point of no return, use of geographic purlieu and isolation are concepts used in all of the quest workings Francis crossing Coppolas Apocalypse right off (Now), William Faulkners A Rose for Emily (A Rose), and Tim OBriens The Things They Carried (Things). In these three pieces one shall see not only the ideas of Point of No Return (PNR), geographic surroundings, and isolation, just now the notion of guile imitating life. Fore around, PNR comes in a variety of ways for apiece of the many display cases we line up in these adventures.In Now, we see Willards PNR towards the end of the film after he has arrived at Kurtzs compound. As he sits in the darkness, Chefs kill head is thrust into his lap. Without Chef to aid him, Willard realizes he is truly on his own. In order to escape Kurtzs world intact, he must cut his mission alone. In the case of Emilys manservant in A Rose, the PNR is envisioned after the death of Emily. The negro met the first of the ladies at the front doorsill and let them in, with their hushed, sibilant voices and their quick, curious glances, and then he disappeared.He walked right through the digest and out the back and was not seen again. (Faulkner, pg. 7) The manservant is aware of the truth of Emilys dark life which shall soon be exposed to all and does n ot want to be in the vicinity when it happens. For Lt. Cross in Things, the PNR occurs following Ted Lavender being shot and killed. It wouldnt help Lavender, he knew that, but from this point on he would comport himself as a soldier. (OBrien, 13) by and by this tragic steadyt, a trans mildewation in the Lt. s attitude towards the remain men occurs. On the morning after Ted Lavender died, First deputy Jimmy Cross crouched at the bottom of his foxhole and burned Marthas letters. (OBrien, 12) His feelings of love for Martha have also been replaced by an emotion resembling anger. Given these examples, PNR is certify in each one of these accounts. The use of geography can be interpreted in numerous ways. As the men in Now make their way into the depths of the jungle, the Nyung River gradually becomes narrow. Slowly the soldiers are picked off one by one. The group begins to diminish, as does the width of the waterway.Another use of geographic surroundings is found in Faulkners wo rk. His description of Emilys home and its lieu demonstrate the similarity in her temperament. But gar historic periods and cotton gins had encroached and obliterated even the august names of that neighborhood only Miss Emilys house was left, lifting its stubborn and coquettish decay above the cotton wagons and the gasoline pumps- -an eyesore among eyesores. (Faulkner, pg. 1) Although novel technology is progressing all around her traditional neighborhood, and the South for that matter, she stubbornly refuses to adapt.The geography is split into both literal and metaphoric ways in Things. They carried the play itself. Vietnam, the place, the sod- a powdery orange-red dust that covered their boots and fatigues and faces. They carried the sky. The whole atmosphere, they carried it, the humidity, the monsoons, the foetor of fungus and decay, all of it, they carried gravity. (OBrien, pg. 7) Not only did the soldiers carry the soil of Vietnam on their boots but they carried the ex periences of Vietnam in their minds. All of the tangible and idealistic aspects of being in a war-torn country are what these souls carried.Geography used by these storytellers create a world which not only can be seen but be felt deep within. Lastly, the third concept found in each of these works is isolation. A wise man once said, The true character of a person is revealed once they think no one is watching. (A. Mancha) This becomes plain in NOW when the three remaining men have reached Kurtzs dwelling. In front of the natives, Kurtz is God- corresponding in his demeanor. However, inside the temple and away from his worshipers, Willard sees what lies infra Kurtz, a man. A man who poetically writes the horrors of what he has seen, done and become.Willard becomes certain of Kurtzs desire and anticipation of his own death. Everybody wanted me to do it, him most of all. I felt like he was up there, waiting for me to final payment the pain away. He just wanted to go out like a sol dier, standing up, not like some poor, wasted, rag-assed renegade. Even the jungle wanted him dead, and thats who he really took his orders from anyway. Kurtz is aware of Willards mission and welcomes it. In A Rose, the segregation of Emily from society, enforced by her father clutching a strap (Faulkner, pg3), played a major role in Emilys pretermit of emotional and mental development. On a tarnished gilt easel before the hearth stood a crayon portrait of Miss Emilys father. (Faulkner, pg. 2) Although Emily is of adult age she still remains much like a child as she uses crayons to create her fathers portrait. The isolation seen in Things comes in form of the deployment of the soldiers.These men are stripped from everything they know, from the families they love to the climates they are familiar with. The things they carried were generally determined by necessity. (OBrien, pg. ) The men have replaced these elements with items each soldier deems meaty for survival. This is not limited to weapons and food but also pictures, books and other mementos from home. As one can see, Coppola, Faulkner, and OBriens works reflect kidnap and concrete notions of art imitating life. By using PNR, geography and isolation, these men were adequate to illustrate their points on a deep and abysmal level. The impact these works have had on society are invaluable and because of their timeless constitution will continue to influence artists throughout the years.