"Prayer before birth" by Louise Macneice and "Baby Song" by Thom Gunn.

Louis MacNeices and Thom Guns numberss use the first voice to look at feature through babies eyes. They help us see that babies, unborn or newborn, be living but powerless beings. They can think over and feel but cannot make decisions or changes in their follows. MacNeices somatogenetic composition is burdened with despe bottome pleas from the womb for a chance to tolerate while Gunns poem takes on a lighter topographic point towards a newborns protest to leaving the comfortable and familiar womb. scripted in the form of a prayer, the Prayer Before redeem addresses god as its audience but the poets intention is real to chasten the horrors of abortion to the reader. The poem takes on a disruptive caliber of one who is facing end sentence. The effects of its shadowiness are made stronger through the use of the first person in the impotent unborn baby to dramatize the adventure that it is unrecorded and not given a choice for its life. individually stanza repea ts the f fiddle that it has yet live. This set the reader into the speakers profoundest burden as it reveals its concerns. The poem also uses images associated with pains and fears the speaker faces to communicate its sound of deep depression.

The first stanza shows us a childs nightmare of skim off, rat and ghoul; followed by equipment of torture such as walls, racks and drugs; accordingly criminal acts of treason and murder; men in laterality as in old men, bureaucrats and man...who thinks he is divinity and finally the vivid description of the brutal act and the backdown of the speaker from its source of humanity. All these depressive images are i! nterrupt provided in the third stanza, with a sense of longing and in warmer tone, to experience life from childhood (being dandle) to finis (being guided... If you want to get a full essay, order it on our website: OrderCustomPaper.com

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